Journal of Literary Criticism and Rhetoric

Document Type : scientific-research

Author

Department of Persian Language and Literature, Tabriz University, Tabriz, Iran

10.22059/jlcr.2025.384994.2031

Abstract

literary rhetoric that have long attracted the attention of rhetoric scholars; And many works have been published in different eras with different definitions and various examples. Literary arrays are one of the most significant and prominent components that create beauty in words and meaning.The purpose of this research is to introduce two forgotten innovative industries by citing the examples of Diwan poets and Persian poems. The array of "Tazriq" is one of the novel arts that has not been addressed in the works of literary arts and rhetorical techniques due to its low frequency and late invention. The only effect and traces of it can be seen in the scattered researches and the independent work of the Akhavan Sales. In addition to that, a kind of simile was also common in the poetry of poets of the sixth century until the Safavid era and in the Indian style, which is also far from the authors' point of view. For the first time, we come across this type of simile in the book of Tazkareh Khazane Amera, which was noted among the scholars of Indian rhetoric under the title " Anoinya Alankar ".

The research method is based on library tools and analytical-descriptive method. First, we have discussed the Tazriqi industries, then we have introduced the complete analogy type.

Our findings indicate that there are clear examples of both literary industries in the Persian verse texts, and each of the aforementioned arrays can be studied as an independent work in the future. With the difference that the Tazriqi array is studied in old and new verse texts, but Anoinya Alankar was observed only in the poetry of old poets and often in the form of masnavi and ghazal.

As a result, with the beginning of the Safavid dynasty in Iran and not valuing poets, poets were forced to migrate to India. There the poets established the Indian style. The number of poets who stayed in Iran like an infusion started writing meaningless and meaningless poems that only had weight and rhyme to entertain the common people.

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