Document Type : scientific-research
Author
Faculty of Payam Noor University
Abstract
Archetypal-mythological criticism is one of the prominent examples in the field of literary criticism and theory and interdisciplinary studies of literature, psychology and psychoanalysis, mythology, and anthropology. The interdependence and intertwining of symbolic ideas, myths, metaphors, dreams and visions with stories and other elements and components of popular culture and literature on the one hand, and Simin Dāneshvar's extensive use of the works, texts and words of her predecessors and contemporaries in the form of guarantees, adaptations, references, allusions, etc., have led to the diversity, prominence and richness of her stories. The construction and term of the parrot, (Beautiful and lovely parrot) as a messenger of self-confidence and a manifestation of the subconscious, is rooted in this important feature of the author's writing style. This research is conducted using a descriptive-documentary method, library collection, and ultimately analysis. Its goal is to further understand and introduce the symbolic form of the parrot, its history, role, and function in Dāneshvar's long stories, especially Sārbān sargardān (the sarban wander). In finally, it is concluded that the author, with full awareness of the presence and role of the parrot in the Tootināmehā (stories of the parrots) and the Mathnavi M’anavi (spiritual Masnavi), the Asrārnāme (The Book of Unseen Secrets), and the like, has, with the initiative of a different creation, replaced the , beautiful and lovely parrot with the parrot and the small parrot, and has expanded and broadened its role and function.
Archetypal-mythological criticism is one of the prominent examples in the field of literary criticism and theory and interdisciplinary studies of literature, psychology and psychoanalysis, mythology, and anthropology. The interdependence and intertwining of symbolic ideas, myths, metaphors, dreams and visions with stories and other elements and components of popular culture and literature on the one hand, and Simin Dāneshvar's extensive use of the works, texts and words of her predecessors and contemporaries in the form of guarantees, adaptations, references, allusions, etc., have led to the diversity, prominence and richness of her stories. The construction and term of the parrot, (Beautiful and lovely parrot) as a messenger of self-confidence and a manifestation of
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