An Analytical Study of the Woman’s Visage Behind Natu-Realism of Sālhāye Abri(Overcast Years)

Sālhāye Abri was known as a "memorabilia " or "autobiographical" novel. It,s used a number of local and regional patterns of Realism. By reason of writer,s type of view and  explicit representation of facts by him, realism of this book(Sālhāye Abri)was known as a synthesized form that it,s derived from two literary and political schools "Realism" and "Socialism", namely "Social Realism".But the main thing- besides of poverty as motif and its symbols and expressions –is processing a fresh and natural Image of woman and her life in poverty-stricken society and economic, political,mental and cultural undisciplined and corrupt system, that author paid more attention to it. I was concerned the author's attitude to women, and the various ways to expression of facts in Sālhāye Abri for research and study. The result of the stylist study and author's type of work, his  literary and intellectual school and women characterization in this work showes that the women characterization has more depth than other persons in the story and it,s more tangible and likely nevertheless,there are several characters.The author’s type of view on "female", "gender" and  her"role" in society and family is a specific and punctual look, that is not pure Realism and not just from components of Socialism school. The highlighted presence of the woman inward memorabilia of Sālhāye Abri shows her as a gray character and sometimes black,that she is In steady struggle with their manifest destiny or she is mourning for her lost wishes. We confront with a multi-lineage and multi-dimensional realism in Sālhāye Abri,that more of all it used to components of Naturalism school.Darwishiān used to the realism that it is a combined form of  "Realism" and "Naturalism" Thus,we can call it "Naturalistic Realism" or in a short form, "Natu-Realism".