Document Type : scientific-research
Authors
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Abstract
Without accepting the limits of rhyme and rhythm, today's poetry tries to gain more scores than what these two elements gave poetry before. Accordingly, it benefits a variety of mechanisms, most notably the use of the phonetic and semantic capacities of the word on the path of repetition. This linguistic phenomenon has a great influence, with its special function, on the richness of an artwork and contributes to beauty creation. Based on analytic - descriptive method, the important technical and semantic aspects of repetition have been studied in present essay, regardless to its lexical aspect, in some odes by Nazik al-Malaika and Nimā Yushij and explores the identification of repetition axes and the stylistic properties of their poetic language. Both poets have used this linguistic phenomenon as a means of aesthetics in line with two principles of proportionality and coherence that makes text to move towards music, and ultimately the transference of meaning. Therefore, it converges with the inner music of their poetry and increases the effectiveness of meaning. The function of repetition style is expressed in two semantic and musical axes, and they are found in both poems at three levels of phoneme, word and phrase.
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