Document Type : scientific-research
Author
Assistant Professor of the Department of Persian Language and Literature, Imam Khomeini International University, Qazvin, Iran
Abstract
A self-error narrative is a type of narrative that addresses the author or poet in the text. This kind of narrative is specific to the literature of fiction, which is revealed as the hadith of the breath, and the author is addressed in the position of being one with the narrator in his various ways and motives He speaks to himself about more psychological issues. This trick was created in fiction literature under the narratives of the fluid flow of mind, but this kind of narrative has also been perfected in Persian poetry and in the pen name industry. The structure of a poem in the court of Parvin Etesami shows that the poet has addressed himself in the last bit of Bethlehem. Although this method has a very old history in Persian poetry, the purpose of this study is to examine the working dimensions of this method under the narrative of self-destruction and its motives in the Parvinian court. A review of the poetry of Parvin (Saqaid, Masnavi, and fragments) shows that the poet's self-destruction in the last bit was not simply for playing the role of the ownership of poetry in his own name، Rather, it has formed a narrative and communication network between different components of the narrative, which has led to numerous narrative structures and beyond the pen name، there are meaningful motivations behind it. The results of the present study show that self-destructive motives in Parvin's poetry are in four ways: communication with the main theme, communication with the main activist، the hadith of the ego has been manifested in the form of other forms for social relief and protest.
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